Keeley Compressor Mini robertkeeley. I fall in and out of love with compressors all the time. From one night to another, I might be down on my knees, thanking my comp for saving my life and my sloppy picking performance.
The morning after is always awkward. It may not be the most extreme compressor in the world or the most versatile. But it walks the razor-thin line between transparent and potent with aplomb and sounds alive without being overbearing or oppressive. Thankfully, he has a knack for knowing how to set those parameters just right.
Keeley also designed the circuit to be especially lively for a comp with so few controls. For one thing, the Compressor Mini uses parallel compression, which allows dry signal to pass before summing at the output, adding detail and presence to softer playing while louder transients are squished more aggressively.
The pedal sounds more balanced and alive for its inclusion. The Compressor Mini, however, is almost startlingly quiet. Even at the highest preamp gain and threshold levels, the Keeley adds little perceptible hiss. The low noise floor makes it easier to use the level control aggressively, and at minimum threshold levels, the Keeley is a great near-clean boost.
And there are lots of near-clean boost colors that add meat to jangly tones without sullying the chime. Rickenbacker and Telecaster players take note! Humbucker players, too, will enjoy the extra headroom in the level control. Most settings north of noon lend a fat but tasteful bump in the low-mid zone that make the preamp sound extra sweet, muscular, and growly.
The compression effect itself is a delight. And in spite of the extra top end generated by the tone-recovery circuit and parallel compression scheme, you still hear perceptible squish. The extra weight and warm sustain that even modest level and compression threshold levels add to thin first-string output is significant. And it does a cracking job of highlighting string detail in complex chords.
For lots of players in many musical situations, such qualities will be well worth any tradeoff in dynamics. The preamp alone sounds lovely and generates killer boost tones. In traditional pedal-compression settings, like country picking and Byrds-style jangle, it excels.
And its low noise floor makes it an ideal pairing for high-gain pedals in need of smoothing or busy pedalboards with lots of noisy gain stages.
At just 20 bucks less than the Compressor Plus, some players may want to pop for the bigger, more feature-rich alternative. Rig Rundowns. Riff Rundowns. Why I Built This. The Big 5. Runnin' With The Dweezil. Wong Notes.
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